vintage camera

My vintage camera iPhone case

Last week, this article in The New Yorker discussed the evolution of the camera over the lifetime of the author, Craig Mod. The title, Goodbye Cameras, and the article caused quite a stir in photography circles.

Tracing the evolution from the Nikon 8008 to the Nikon D70 to the GX1, we see cameras transitioning into what they were bound to become: networked lenses.

I’m not going to discuss the premise of the article, although I can say that I’ve gone through most of the same stages of camera ownership as the author – from my Nikon N70 (35mm SLR) to Nikon D200 (35mm dSLR) to Panasonic Lumix G3 (micro four-thirds) and, of course my trusty iPhone. I have never owned a medium format camera.

When I made the switch to digital I never went back. Just last year I sold all of my remaining (expired) slide film.

What struck me from the article was this quote.

The shift to digital imaging disrupted the compartmentalized, meditative processes that had punctuated photography for the previous hundred and fifty years: shooting, developing, and printing.

I wondered, was this meditative process what drew many photographers to the medium, yet is rarely talked about? And, is this aspect lost for digital photographers now that developing and printing play a lesser role?

By meditative, I mean a practice that brings one into the present and not focused on thoughts, but rather the experience.

 
For me, obviously, the meditative process of photographing is all important, and I think it is for many others as well. Many of those who participate in my workshops say that they practice contemplative (or meditative) photography, but didn’t have a name for it.

I do enjoy the editing process too (although for me it is minimal). Others love to spend quite some time editing their images to create something new.

So, I’m wondering: Is photography and/or the editing process a meditative practice for you? If not, what is it you love about photography? What’s your experience?

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